Krizbeatz calls himself "the King of AfroDance", the Nigerian music that has acquired thousands and thousands dancing across Africa and the world.
For Fela, as he is nonetheless recognized to fans, music was typically a life-threatening combat in opposition Download naijavibes
to corrupt military dictatorships that dominated Nigeria in the Seventies and 1980s.
For the gifted Krizbeatz, a child of the capitalist and democratic Nineteen Nineties, music is a game. But the self-assured 22-12 months-old music producer – real name Chris Alvin Sunday – still takes his inspiration from Fela when he’s at his mixing desk.
"I studied House Music in South Africa however I’m a Nigerian. Afrobeat is what I grew up listening to. Afrobeat is who I'm," he said. In 2016, Krizbeatz produced the hit Pana, which has had close to 53 million views on YouTube and been downloaded 10.5 million instances on Spotify.
In it, the singer Tekno Miles declares his love for his sweetheart and guarantees to drive her to the church in a Porsche. Some feel that 20 years after his death in August 1997, Fela would surely turn in his grave to listen to the new generation celebrating designer labels, luxurious vehicles and champagne.
But Krizbeatz says Nigerian music is at first concerning the beat."If you speak about a Nigerian tune, you speak in regards to the beat before anything else," he mentioned, grabbing an electrical guitar to document a number of notes on a loop on his computer."You hear it and you just wish to dance and be completely satisfied, before you'll be able to listen to the lyrics."
Abdul Okwechime organises the week-long "Felabration" competition of Fela’s life and work, ending at the weekend and held every year across the musician’s birthday. He's less than impressed with the flip that lyrics immediately have taken."They speak an excessive amount of about femininity, the sensuality of ladies," he complained."We have now lost protest music, music to wake up to, to make you aware of the society, and our society is unwell," he stated, as he took guests round Fela’s commune, dubbed Kalakuta Republic in Lagos.
The musician lived at the commune – which he once declared an independent republic – with his family, band and 27 wives. "Now they (modern musicians) speak about butts, they talk about boobs … the sexuality of ladies, that’s what they speak about now," mentioned Okwechime. Nevertheless, Fela’s music and affect is still important.
Even Nigerian megastar Wizkid – the first Afrobeats artist to headline a sold-out show at London’s Royal Albert Hall – opened his historic live performance there in September with Fela’s 1972 epic, Lady. Other artists pay tribute in numerous ways.
At his Borno Winners Empire studio, within the upmarket Lagos suburb of Lekki, Adekunle Gold is wearing traditional dress and recording his second album. Round him is his band, The 79th Factor, named after the atomic number for gold. The singer says he has created a new sound, mixing musical types inspired by Nigerian Afropop, Indian harmonies and Ghanaian Highlife, but underlying it with percussion and vocals like Fela in his heydey.